Thomas (Cyrill) rings Elliot’s (Tristan) door in an attempt to give back his ID card, lost during a morning run at the park. They both met during college, but it’s been so long… Will Elliot remember Thomas? Despite living very different lives, they find themselves sharing the same crave for the perfect outbreak. 　　Noel Alejandro’s six film is no ordinary porn. It’s a cinematic depiction of all the trust, excitement, pain and passion that is in the encounter between two men that’ll take the chance. Give yourself to the steamy bodies and the mind-blowing blowjobs, and share the thrills of the sweet sins hovering in the air. 　　Starring real-life couple Cyrill and Tristan (you can tell by their dazzling chemistry!), the two performers whose talent loaded Doing Elliot’s with the most honest emotions. 　　Doing Elliot was partly filmed in Molenbeek, Brussels. Directed by Noel Alejandro.

Thomas (Cyrill) rings Elliot’s (Tristan) door in an attempt to give back his ID card, lost during a morning run at the park. They both met during college, but it’s been so long… Will Elliot remember Thomas? Despite living very different lives, they find themselves sharing the same crave for the perfect outbreak. 　　Noel Alejandro’s six film is no ordinary porn. It’s a cinematic depiction of all the trust, excitement, pain and passion that is in the encounter between two men that’ll take the chance. Give yourself to the steamy bodies and the mind-blowing blowjobs, and share the thrills of the sweet sins hovering in the air. 　　Starring real-life couple Cyrill and Tristan (you can tell by their dazzling chemistry!), the two performers whose talent loaded Doing Elliot’s with the most honest emotions. 　　Doing Elliot was partly filmed in Molenbeek, Brussels. Directed by Noel Alejandro.

When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa'…

When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa's team at the North Pole try-outs.

In Return To T. S. Eliotland writer and critic A.N. Wilson explores the life and work of one of the twentieth century’s greatest poets, T.S. Eliot. 　　Andrew Wilson has been reading and rereading Eliot for much of his life. Now from the halls of Harvard University to a Somerset village, via a Margate promenade shelter, he follows the spiritual and psychological journey that Eliot took in his most iconic poems. 　　From The Love Song of J Alfred Prufrock to The Waste Land and from Ash Wednesday to Four Quartets, Wilson traces Eliot’s life story as it informs his greatest works. He travels to the places that inspired them, visiting the Eliot family’s holiday home on the Massachusetts coast, following him to Oxford where he met and rapidly married his first wife, the lively and bohemian Vivien Haigh-Wood, and on to London where he made his home and his name. He explores how Eliot’s realisation that he and Vivien were fundamentally incompatible and their resulting unhappiness influenced The Waste Land and examines how his subsequent conversion to Christianity coloured his later works, concluding his journey by visiting some of the key locations around which he structured his final masterpiece, Four Quartets. 　　Chock full of allusion, at times opaque and elliptical, Eliot’s poetry is widely regarded as complex and difficult - but here A.N. Wilson eloquently makes the case that grappling with it has immense rewards. In these works, Eliot takes on weighty ideas of time and memory and faith and belief, themes which Wilson argues have as much relevance today as during his lifetime. And whilst hailing his genius, Wilson does not shy away from confronting the discomforting and dark side of his work.

In Return To T. S. Eliotland writer and critic A.N. Wilson explores the life and work of one of the twentieth century’s greatest poets, T.S. Eliot. 　　Andrew Wilson has been reading and rereading Eliot for much of his life. Now from the halls of Harvard University to a Somerset village, via a Margate promenade shelter, he follows the spiritual and psychological journey that Eliot took in his most iconic poems. 　　From The Love Song of J Alfred Prufrock to The Waste Land and from Ash Wednesday to Four Quartets, Wilson traces Eliot’s life story as it informs his greatest works. He travels to the places that inspired them, visiting the Eliot family’s holiday home on the Massachusetts coast, following him to Oxford where he met and rapidly married his first wife, the lively and bohemian Vivien Haigh-Wood, and on to London where he made his home and his name. He explores how Eliot’s realisation that he and Vivien were fundamentally incompatible and their resulting unhappiness influenced The Waste Land and examines how his subsequent conversion to Christianity coloured his later works, concluding his journey by visiting some of the key locations around which he structured his final masterpiece, Four Quartets. 　　Chock full of allusion, at times opaque and elliptical, Eliot’s poetry is widely regarded as complex and difficult - but here A.N. Wilson eloquently makes the case that grappling with it has immense rewards. In these works, Eliot takes on weighty ideas of time and memory and faith and belief, themes which Wilson argues have as much relevance today as during his lifetime. And whilst hailing his genius, Wilson does not shy away from confronting the discomforting and dark side of his work.

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived. (Written by Guy Bellinger, from IMDB)

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived. (Written by Guy Bellinger, from IMDB)

可可（梅雷特·贝克尔 Meret Becker 饰）和男友卡洛斯（托马斯·海因茨 Thomas Heinze 饰）相恋多年，两人终于决定携手步入婚礼的殿堂。可可对这场婚礼期盼已久，可是卡洛斯却无法完全的投入其中，因为他有了一个需要向可可隐瞒的秘密，那就是他非常非常糟糕的经济状况。 　　帕蒂（詹妮特·海因 Jeanette Hain 饰）是可可的好友，在瑜伽课上，她邂逅了瑜伽老师安迪（弗洛里安·大卫·菲茨 Florian David Fitz 饰），很快，两人之间便碰撞出了激情的火花，帕蒂开始了一段地下恋情。安迪也有着自己的秘密，而他的秘密好巧不巧的被可可的助手薇拉（艾琳娜·莱辛 Alina Levshin 饰）给撞破了。

可可（梅雷特·贝克尔 Meret Becker 饰）和男友卡洛斯（托马斯·海因茨 Thomas Heinze 饰）相恋多年，两人终于决定携手步入婚礼的殿堂。可可对这场婚礼期盼已久，可是卡洛斯却无法完全的投入其中，因为他有了一个需要向可可隐瞒的秘密，那就是他非常非常糟糕的经济状况。 　　帕蒂（詹妮特·海因 Jeanette Hain 饰）是可可的好友，在瑜伽课上，她邂逅了瑜伽老师安迪（弗洛里安·大卫·菲茨 Florian David Fitz 饰），很快，两人之间便碰撞出了激情的火花，帕蒂开始了一段地下恋情。安迪也有着自己的秘密，而他的秘密好巧不巧的被可可的助手薇拉（艾琳娜·莱辛 Alina Levshin 饰）给撞破了。